5. **What are the ethical considerations surrounding the collection and exhibition of tribal art from colonized cultures, and how can museums ensure culturally sensitive representation and curation?
4. **In what ways have historical trade routes influenced the evolution of Southeast Asian tribal art, and how can we see these influences manifested in contemporary art forms from this region?
3. **How does the art from indigenous tribes in Papua New Guinea differ in style and purpose from other Pacific Islander artworks, and what role does ritual play in the creation of these artifacts?
2. **Can you discuss the significance and symbolism found in traditional Native American beadwork, and how these artworks are integral to the cultural narratives and identity of various tribes?
**What are some of the distinguishing characteristics and materials commonly used in traditional Japanese woodblock prints, and how do they reflect the cultural context of their time?