How do movements like street art and graffiti redefine the boundaries of traditional art spaces and challenge conventional notions of artistic legitimacy?
In what ways has contemporary African art been influenced by globalization and interactions with Western art forms, and how does it maintain its distinct identity?
What role do textiles and beadwork play in African art, and how are they used to convey social status or cultural narratives within different communities?
How has African art been integrated into or influenced modern and contemporary art movements globally, and which African artists have been particularly significant in these exchanges?
What are some of the ethical considerations involved in the collection and display of African art by Western museums, and how do issues of provenance and cultural ownership affect these practices?
What are the defining characteristics of traditional Chinese landscape painting, and how do they reflect the philosophical ideas of Taoism and Confucianism?